Showing posts with label Malcolm Steward. Show all posts
Showing posts with label Malcolm Steward. Show all posts

Wednesday, October 2, 2013

Audiophilia Geographica And The British Sound



Even though hi-fi is a rather global phenomena do folks around the world set-up their hi-fi rigs for best sound quality quite distinctively different from one another? 

By: Ringo Bones 

Speak of hi-fi enthusiasts as a global community and the term British Sound seems to loom large, but what is it? Does it have something to do with hi-fi guru Malcolm Steward and is obsession with the synergistic relationship between Linn and Naim hi-fi gear back in the 1980s with Thomas Dolby’s Flat Earth philosophy? Even though other nationalities do tend to optimize the sound quality of their hi-fi rigs endemic to their various regions and nation-states and yet all of this seems to revolve around the term “British Sound” – is this just mere “media hype” cobbled up by Madison Avenue ad men? 

Peculiar as it may seem to the uninitiated, there does appear to be a “British Sound”. The term might have come about because the British had been making hi-fi kit for longer and in greater variety than other “competing” nations. And musical imports – in the form of musicians – also play a part on the evolution of what is now known as the British Sound. Or a more likely reason is that the British have a certain size and construction of what constitutes as the average listening room – medium sized in world terms, wooden floored with plaster on brick wall construction. Either way, British hi-fi enthusiasts seems to prefer a more upbeat sound – i.e. pace, rhythm and timing - to nations outside of Europe.

Basing on my fortunate experience visiting various hi-fi shows all over the world, American hi-fi enthusiasts seem to go for firepower above all thus explaining their love of muscle amps with telephone number price tags. While the Japanese prefer a silky relaxed balanced – just like the sound of entry level Audio Note kit. The French prefer a bright, detailed sound that can be quite captivating to first-time prospective audiophiles while Germans prefer a relatively mid-forward sound that could sound very realistic when playing a recording of a horn ensemble.