Given those lucky few who managed to construct and still enjoy their very own, why are germanium transistor based audio power amplifiers seem like an “undiscovered country” in the hi-fi world?
By: Ringo Bones
Even though during the mid to late 1990s, hi-fi equipment
manufacturers have already managed to produced the “holy grail” of the budget
conscious audiophile – i.e. solid state power amplifiers of either silicon
transistor or MOSFET based that can rival the sound quality of single ended
zero feed back triode audio power amplifiers based on either the 300B or the
2A3 vacuum tube – while priced competitively at between 500 to 1,000 US dollars
each. Yet unknown to most audiophiles, a type of power transistor – namely of
the germanium type – can even approach closer to the sound of a zero feedback
SET audio power amp than either silicon or MOSFET types. But why aren’t hi-fi
audio power amps or even integrated amplifiers based on germanium transistors
flooding the hi-fi market these days?
To those electronic enthusiasts fortunate enough to dabble
with germanium transistors, these types of transistors are very notorious for
their over-the-place variability. Even though they are the first ones to be
mass produced for consumer electronics use, germanium transistors are somewhat
difficult to manufacture and not very stable. Germanium transistors are very
hard to produce with consistent parameter quality on a large scale – as in
widely varying gain, leakage, noise and overall tone – even germanium
transistors manufactured from the same batch.
The inherently widely varying parameters in germanium
transistors means resistor values selected for AC / DC biasing, Q-point
operation, feedback and stability that works for one circuit may not
necessarily work in another similarly designed circuit even though both use
germanium transistors from the same batch. This means resistor values must be
“tweaked” – i.e. slightly varied higher or lower in order for a stereo pair of
a germanium transistor based audio power amplifier will achieve the same
consistent tonal quality.
And during much of the 1960s, even then commonly available
germanium output power transistors – like the now extremely rare AD 149 PNP
germanium output transistor which can produced 10 watts in a single-ended
configuration if properly heat sinked – remains under utilized by electronic
enthusiasts of the day because back then heat sinking was often inadequately
specified in published audio power amplifier designs of this sort. Back then,
specification sheets for germanium transistor audio power amplifier designs
were not totally reasonable and many marginal designs with inadequately heat
sinked germanium output transistors that can only safely handle 500-milliwatts
boasted 120-watt peak-to-peak power ratings.
Assuming if you are lucky enough to find “truthful”
specification sheets and application notes for germanium transistors these
days, it is safe to conclude that it is a more superior semiconductor in
comparison to silicon transistors – as in silicon bipolar junction transistors
and MOSFETs. Not just on subjective sound quality terms because germanium
transistors conduct better than their silicon counterparts because germanium
transistors have inherently higher electron mobility, smaller band-gap and
requires lower impurities to dope into P-type. Most of this parameters probably
explains why a germanium transistor based audio power amplifier based on the AD
149 PNP output transistor that is properly heat sinked to produce a healthy 10
watts in single-ended configuration can easily perform with a sound quality
much closer to that of a zero-feedback single ended triode (SET) vacuum tube
power amplifier based on the iconic 300B or 2A3 tube in comparison to its
silicon based bipolar junction transistor and / or MOSFET counterpart. Just
think how better the 1970s era Naim NAP 250 integrated amplifier could have
sound if audio engineers at Naim discovered a way to design a germanium
transistor based audio power amplifier able to produce 35-watts RMS.
11 comments:
Mullard managed to manufacture their own version of the AD 149 PNP germanium output power transistor in a TO-3 package. I've heard do-it-yourself single-ended germanium transistor based audio power amps during the mid 1990s and to my ears, they sound as if they have almost unlimited slew rate - as in 5-million volts per microsecond. Especially when playing Veruca Salt tracks in both vinyl and CD form.
Did Mullard ever made a more reliable version of the stock failure prone selenium rectifier of the Fisher 500-C receiver, Lilith Fair?
Just found this post recently. I'd really like to know just how anyone ever got 10 single ended watts out of an AD149? I would imagine this involved a transformer. Where in the heck did they find that and where can I get one...or two for that matter? I've searched high and low for push pull transformers used back in the day with 2n301's, of which I must have over 100 and could not find anything that would even cross to old part numbers I found.
I am currently also looking after the idea of a Ge-Amp. You simply can't buy one, not even a DIY kit.
The benefit of high slew-rate sounds plausible, the power stage is quite linear and doesn´t need the feedback loop of a Si-stage: this removes the slew rate limit. The AD149 limits the power due to the low voltage, but a modern "BTL" design can double the power at same voltage.
Would anyone be intetested in a modern state-of-the-art Germanium Amp? How much power do you need and what is the budget?
I've done this 20 years ago using surplus heat-sinks twice the area of a broadside of a brad-toaster and it does go very hot - Hot enough to Hibachi an egg 1980s style. Probably 80-percent of the 100-watt power supply is converted to heat while 20 percent goes into amplification and probably only 10 percent is converted into actual acoustic output. It did look like one of those solid-state class-A amps from DNM and Pass Laboratories. Sadly, I don't know where I hid it. I've tried Japanese PNP germanium transistors which are more common but they also run hotter than premium types and tend to self destruct unless if you probably use a microprocessor based biasing scheme used by Mark Levinson or Krell on their mega-buck amplifiers.
Hello, just found this post when Googling germanium. I recently bought an Armstrong 521 amp at a garage sale and to my surprise it is one of the sweetest and most detailed amps I have heard. It also has an astonishing bottom end. This led me to think that maybe it is due to the transistors. There is definitely something to be learned here. BTW, it runs fairly cool. Thanks for the info.
JF stumper I would defintely be intersted in a high quality GE amp kit.
Hi,JFStumper I would definitely be interested in a germanium amp, class A. Ten watts is plenty, budget 400.00
New Germanium Transistors are in production.
http://www.comsetsemi.com/en/index.php
Have question: I using 2sb407 in my transformer coupling amp. Some people say they are old early transistors not good. I try ad150 which sound was also greate and more hi frequency. But only 3.5 amp. 2sb407 has 7amp. Al102, 103 I didn't like to fragile and sound like silicone or require more bias....
What the best American Germanium which
handle up to 50watt and 0.5-1mhz ???
I see there is an interest in amps based on the AD149. According to |
https://www.radiomuseum.org/tubes/tube_2n555.html
the AD149 is a substitute for the 2N555. I recently came across a dozen Motorola 2N555 TO-3 with a date code of 5-12. Instead of selling them on eBay I'd rather restore some equipment which is in need of them. If anyone can point me to a resource with a list of equipment likely appropriate for restoration with 2N555s please share. One BIG issue is the 2N555 is max V C-E, C-B is only 30 where the AD149 is 50, so AD149 based equipment will probably fry these. I'd need to go a little older yet. If you can't find me here I am JBurdman7 on most online platforms, Yahoo mainly. Thanks in advance.
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